Tag: Finest Hour

Long View: “Churchill’s Secret Affair,” Gary Oldman and the Oscars

Long View: “Churchill’s Secret Affair,” Gary Oldman and the Oscars

Ms. Camil­la Long (“TV Review, Sun­day Times, March 11th)* has a way with words. Nev­er mind that some of them are so ultra-camp that she could be accused of gra­tu­itous­ly inflict­ing them on the rest of us pro­les with mal­nour­ished intel­lects.

“Hoorays,” “lilo,” “naff,” “pro­to-Wal­lis” and “pan­tomime horse-named” may be dai­ly ver­nac­u­lar in the rar­i­fied atmos­phere of the Sun­day Times Cul­ture Sec­tion. But they’re like­ly to con­fuse any­one who prefers com­mu­ni­ca­tion to obfus­ca­tion. How­ev­er, the Long View of my col­league Andrew Roberts as a “striped-piglet his­to­ri­an” makes me for­give her every­thing.…

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Mary Soames: Patron, Mentor, Friend

Mary Soames: Patron, Mentor, Friend

Finest Hour 129, Win­ter 2005-06

From the Sum­mer 2014 issue of Finest Hour….

You may won­der why she is not on the cov­er. Our dear friend Lady Soames, who died peace­ful­ly at 91, sur­round­ed by her fam­i­ly, on May 31st at 8:35 pm, in fact deserves more than a hasti­ly con­coct­ed cov­er: she deserves a spe­cial edi­tion of Finest Hour, and that is what she shall have, issued between the sum­mer and autumn num­bers.

I say this notwith­stand­ing that I can hear her words: “Real­ly, you are going way O.T.T. [over the top] and it’s sil­ly to make a fuss.” Nev­er mind, Mary, we are going to make a fuss.…

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Churchill’s Biographers: Gilbert vs. Manchester

Churchill’s Biographers: Gilbert vs. Manchester

You Can’t Read One with­out the Oth­er

A read­er asks for “a clear sum­ma­ry of Mar­tin Gilbert’s and William Manchester’s writ­ing styles, remind­ing me of the vast but com­ple­men­tary dif­fer­ence between Churchill’s two most famous biog­ra­phers.

There are big dif­fer­ences between them, but both should be read for a full appre­ci­a­tion of Churchill. In 1986, as Man­ches­ter was com­plet­ing Vol­ume II of The Last Lion, he received an encour­ag­ing note from Gilbert: “Our work pro­ceeds on par­al­lel tracks.”

William Man­ches­ter

Man­ches­ter was a lit­er­ary styl­ist of the first mag­ni­tude, which is quick­ly appar­ent from the sonorous, emo­tive, rolling phras­es of The Last Lion, reflect­ing the skill that ear­li­er brought us Death of a Pres­i­dent and Amer­i­can Cae­sar, his mas­ter­piece on Dou­glas MacArthur.…

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