Tag: Dunkirk

Churchill at 150: A Certain Splendid Memory

Churchill at 150: A Certain Splendid Memory

“I pondered what had made this dynamic but gentle character so beloved and respected. First of all that there was courage. He had no fear of anything, moral or physical. There was sincerity, truth and integrity, for he couldn't knowingly deceive a cabinet minister or a bricklayer or a secretary. There was forgiveness, warmth, affection, loyalty and, perhaps most important of all in the demanding life we all lived, there was humour, which he had in abundance.” -Grace Hamblin

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“Darkest Hour,” the movie: an interview with The Australian

“Darkest Hour,” the movie: an interview with The Australian

For The Australian …

Troy Bram­ston of The Aus­tralian news­pa­per had per­ti­nent ques­tions about the new movie Dark­est Hour, star­ring Gary Old­man as Win­ston Churchill. With the thought that Troy’s queries might be of inter­est, I append the text of the interview.

The Aus­tralian : Of all the things Win­ston Churchill is pur­port­ed to have said and done, the myths and mis­con­cep­tions, which are the most preva­lent and frus­trat­ing for scholars? None of these appear in the film, but there are three things that ran­kle: 1) The lies—that he was anx­ious to use poi­son gas; that he fire­bombed Dres­den in revenge for Coven­try; that he exac­er­bat­ed the Ben­gal famine, etc.…

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Is the Movie “Dunkirk” Dumbed Down?

Is the Movie “Dunkirk” Dumbed Down?

Reviews of Christo­pher Nolan’s new film on Dunkirk, which take quite oppo­site points of view.

Dunkirk without Context

Dorothy Rabi­nowitz, in The Wall Street Jour­nal, pro­claims “the dumb­ing down of Dunkirk.” Mr. Nolan, she writes:

…con­sid­ers Dunkirk “a uni­ver­sal story…about com­mu­nal hero­ism.” Which explains why this is—despite its impres­sive cin­e­matog­ra­phy, its mov­ing por­trait of suf­fer­ing troops and their rescuers—a Dunkirk flat­tened out, dis­con­nect­ed from the spir­it of its time, from any sense even of the par­tic­u­lar mighty ene­my with which Eng­land was at war.

When an event in his­to­ry has become, in the mind of a writer, “uni­ver­sal” it’s a tip-off.…

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