In 1927, Winston Churchill wrote to his wife Clementine, “I am becoming a film fan.” He had projection equipment installed at Chequers, the country home of British prime ministers, in 1943, and at his family home Chartwell in 1946. “Churchill and the Movies” is the fourth and final event of the Center for Constructive Alternatives in the 2018-19 academic year. We will view and discuss two films widely regarded as Churchill’s favorites, and two Churchill biographic movies in their historical context.
…considers Dunkirk “a universal story…about communal heroism.” Which explains why this is—despite its impressive cinematography, its moving portrait of suffering troops and their rescuers—a Dunkirk flattened out, disconnected from the spirit of its time, from any sense even of the particular mighty enemy with which England was at war.
When an event in history has become, in the mind of a writer, “universal” it’s a tip-off.…
It is depressing and disheartening for anyone who knows the barest facts to hear history told by actors, with reality turned on its head under guise of entertainment. Invented dialogue and scenarios are of course necessary for dramatic effect. Robert Hardy's scrupulously accurate portrayal of Churchill's "Wilderness Years" doesn't deviate an iota from fact or believability. Yet it is at least as dramatic as this latest dose of Fake History.