Tag: Bill Tilden

Kaiser Capers: Memories of Howard A. “Dutch” Darrin, Part 3

Kaiser Capers: Memories of Howard A. “Dutch” Darrin, Part 3

Kaiser-Fraz­er, the post­war won­der com­pa­ny, pre­sent­ed Dutch with many opportunities—and as many frus­tra­tions. Con­clud­ed from Part 2

Part 3

Excerpt: For the com­plete arti­cle and illus­tra­tions, refer to The Auto­mo­bile, May 2017. 

Postwar Kaiser and Frazer 1947 Fraz­er: a stretched sales illus­tra­tion; if it actu­al­ly had those pro­por­tions, it would have been sen­sa­tion­al.

Dutch had an earthy vocab­u­lary, and his meth­ods of work were forth­right with a touch of reck­less­ness. He need­ed these qual­i­ties when, after the war, he pre­sent­ed him­self to his old friend Joe Fraz­er, father of the wartime Jeep, to offer designs for the all-new cars Fraz­er was plan­ning, in part­ner­ship with Hen­ry J.…

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Bill Tilden 1935-2013: Tribute to a Friend

Bill Tilden 1935-2013: Tribute to a Friend

Writ­ten for the Soci­ety of Auto­mo­tive His­to­ri­ans Jour­nal

The great styl­ist Dutch Dar­rin, Richard Lang­worth and Bill Tilden, Alame­da, 1972.

U.S. Coast Guard Base, Glouces­ter City, New Jer­sey, July 1965: A call from the Ops office—“Sir, there’s a civil­ian here ask­ing for you. He’s dri­ving the weird­est car I’ve ever seen.”

It was Bill, of course. We clicked from the start. With­in a week he hied me off to north Philadel­phia to help strip the odd­ly attrac­tive, faux lizard skin uphol­stery out of a rusty old car. It turned out a bad mistake—we’d junked an ultra-rare 1951 Kaiser Emer­ald Drag­on.…

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Purple Prose: Brooks Stevens

Purple Prose: Brooks Stevens

"Kip" Stevens with his 1951 Excal­ibur J

The blogsite of Hem­mings Motor News sees fit to post my  1982 arti­cle on Brooks Stevens, along with a gra­tu­itous opin­ion: “Per­haps Richard Langworth’s ten­den­cy toward pur­ple prose in this pro­file of Brooks Stevens in Spe­cial Inter­est Autos #71, Octo­ber 1982, is appro­pri­ate, giv­en the pic­ture he paints of the leg­endary design­er.” Aside from the fact that Hem­mings paid only for first rights and is there­fore in copy­right vio­la­tion, it’s nice to be remem­bered.

Reac­tions: A one­time edi­tor of SIA wrote: “I see noth­ing purple—it reads like an essay in The New York­er.” (Ah, if only Hem­mings paid New York­er rates!)  A Packard Club col­league wrote: “Naah, not pur­ple, maybe faint mauve.” A blog read­er wrote: “Ugh, I can’t read it.…

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